This lighting/shooting method means the actors can move around and the lights don't have to be reset for every shot. Soaps and other lower-budget shows also look "off" because they're often evenly lit across the entire set to facilitate simultaneously shooting with more than one camera. Actors in the foreground often wind up very noticeably backlit, something that doesn't happen on shows with larger sets, or shows that are recorded on film. The problem is that shooting on videotape on a small set can reduce the subtlety of the lighting technique. This is especially useful for productions that are shot on a lower-quality medium and in small interior sets, which soaps often are. Soap opera lighting is a major reason the shows look the way they do.īacklighting, part of the three-point lighting setup often used in television production, helps "lift" actors out of the background. Daytime TV shows generally don't pull in as much advertising revenue as evening programs, and many soap operas air daily instead of weekly, so low budgets, short production times and quick turnaround are the name of the game. There are two main reasons for this lack of visual quality, both of which were rooted in the problem of soap operas' time slots and scheduling. They also, you probably remember, looked really really crappy. Their name comes from a time when old serial dramas broadcast on radio had soap manufacturers (Procter & Gamble and Lever Brothers, to name a couple) as sponsors and/or producers. Soap operas, "soaps" or "my stories," as many a grandmother has called them, are dramas presented in a serial format on daytime television or radio.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |